blog.ninapaley.comNina Paley - Animator. Director. Artist. Scapegoat.

Nina Paley Animator. Director. Artist. Scapegoat. The War of Resistance Oceania had always been at war with Eastasia.” In George Orwell’s 1984 , the past is altered, but war is constant; the names of the combatants are changed retroactively, but combat is continuous. Members of nations at war bond more tightly with their compatriots. War offers a shared dream of triumph over a common enemy. Thus, continual state of war is an effective means of social control. It doesn’t really matter who Oceania is at war with, as long as Oceania is, and always has been, at war. 1984 illustrates how supporting wars is a sucker’s game. War is a product of the Establishment — governments, the military-industrial complex, corporations — using us, the people, to maintain their power. Keeping us in line. Keeping us obedient with fear! We the enlightened, who have read 1984, don’t get caught up in nationalism. Instead, we RESIST. We resist the war machine, the governments, the military-industrial complex. We don’t play their games. We organize a student protest! We build a shantytown on campus. We demand a ceasefire now! Students have always joined such movements against the Establishment. Revolution Now” has been chanted for centuries. There is always a revolution in progress, and there is always a power structure to be revolted against. There is always a dream of triumph over a common enemy. While most revolutions fail, every once in a while one succeeds. Then what happens? The Resistance becomes the Establishment. The Resistance IS the Establishment. Just as the students making protest camps on the green lawns of universities ARE the upper middle class. Who funds the Resistance? The Establishment . Why would they do that? Because they want to be always at war. The same reason warring nations do. Social control, you dupes. The Resistance has always been at war with the Establishment. Author Nina Paley Posted on May 6, 2024 Categories essay , handbasket , politics 1 Comment on The War of Resistance Thank You A friend gave me these flowers for my birthday. I am so grateful for my friends! I have complained a lot about being canceled since 2017. But I have also been supported by you this whole time. Some of you send direct donations. Some of you buy my merch . Some of you donate to my Patreon or the Heterodorx podcast. Some of you send kind messages. Some of you recommend my work to others. Many of you go out of your way to support me for the exact same reasons others cancel me. You are awesome. Your generosity is as real as the cancelations I struggle to shed my bitterness over. It’s a miracle, it has kept my going, it keeps me going, it gives me hope as well as material support. Like many humans I can get caught up in the bad without sufficiently acknowledging the good. The good, your good, has been very good. Thank you. Author Nina Paley Posted on May 5, 2024 Categories awesome 2 Comments on Thank You Spoiler Alert: DUNE 2 Timmy and Johnny on Arrakis If I recall correctly (from a few hours ago, I just got home) DUNE 2 starts with a recap of DUNE 1 from a pretty posh lady recording her diary on another planet. Looks like a pile of dead bodies is getting set fire to on Arrakis. I remember the name Arrakis from reading the books 40+ years ago but really not much else, and I didn’t see DUNE 1 so I’m relying on the filmmakers to catch me up. On a sandy duneside, Paul Atrides aka Timothee Chalamet wakes up with the Fremen, a charismatic and sexy desert people. Apparently his family House” is mostly dead, killed by the House of Bald Guys, led by the Fat Ugly Bald Guy. Who’s that woman Timmy is talking with? Is that his girlfriend? Wait that’s his MOM. She pukes which in movie language means she’s pregnant. Timmy wants to be accepted by the charismatic desert hotties which is very reminiscent of Lawrence of Arabia . Also their Lead Charismatic Guy speaks with a strong Lawrence-Arabian accent. He’s on Team Timmy, believing him to be a prophet of prophesy. But first Timmy has to prove himself to the Fremen, who are not only strong fierce and good-looking but also racially diverse, unlike the ugly Bald Guys who are so white that when they have a tournament outdoors the film itself has no color at all. People of No Color Looks like a Younger Bald Guy is being chosen as a royal heir, and he distinguishes himself by being a psychopath with a sort of cute face for a bald guy with really dark teeth. He slits the throats of a few bald sluts just for fun. He’s being set up as a foil for Timmy, who is learning the desert ways, helped by an especially cute young Freman possibly named Chani” but pronounced Johnny. Johnny is the salt of the earth, not like those posh brittle Bene Gesserit ladies. She fights like hell along with all the other Fremen women who are apparently all soldiers. It’s not clear who’s raising the Fremen babies, but we occasionally see old ladies hobbling around in the aftermath of attacks. Johnny teaches Timmy how to camp, and Lead Charismatic Guy teaches him how to ride a sandworm which turns out to be so gigantic it fulfills another prophecy! These prophesies keep getting fulfilled! Timmy’s Mom becomes Head Woman of the Fremen because there’s a job opening and they’ll kill her if she doesn’t. She drinks blue poison which predictably turns her eyes blue. Also it turns her power-mad, along with her fetus which got bathed in the stuff in utero and is now both psychic and possibly psychotic. Timmy has recurring nightmares of following a woman to The South which leads to catastrophe. Is the woman his Mom? His girlfriend Johnny? Because Johnny and Timmy have hooked up by now. Johnny is devoted to her people and doesn’t want Timmy to just be fighting for his dumb foreign House. But she doesn’t believe he can be a real Freman either, until he rides that giant sandworm. Then he is accepted into the tribe and given a new name: Ulla or Ulsa or something like that, plus M’aud Dib (I remember that from the books!) which means desert mouse.” Cute! Now Timmy’s Mom goes to The South because her job demands it, also she gets tattoos all over her face of some script that looks vaguely like a hybrid of Arabic and Devangari. If I knew someone with a tattoo like that I’d say, her face is an open book,” but no one says that in the movie. Her eyes are bluer than ever and she’s trying to get Timmy worshipped as a messiah. But Timmy doesn’t want to go to The South because of his nightmares. Who is that woman he’s following? I bet it’s his sister, who’s still just a fetus but obviously psychotic and power-mad like most of the non-Fremen characters. The Fremen aren’t crazy or power-hungry, they just want their land and some water so they’re not dessicating all the time. The outworlders, like Timmy and his Mom and the Bald Guys and the Emperor and the Bene Gesserit and all the Houses, are all WHITE COLONISTS. But obviously Timmy is more than that, he really wants to assimilate into the Fremen but they can’t help but worship him as a god which makes him a White Savior. d’Oh! In 2024? Oh man I can’t imagine the cognitive dissonance the filmmakers suffered here. Eventually Timmy, too, drinks the Blue Poison, which turns out to be baby sandworm puke, which also gives him blue eyes which symbolize INSANITY and POWER to remind us that white saviors are NOT OKAY sort of except they are maybe and that’s NUANCE. Her face is an open book. Timmy almost dies from the blue poison and the only thing that can save him is girlfriend tears, so Johnny has to be summoned to cry on him. Earlier in the movie we learn that Fremen don’t cry because it wastes water, but Johnny and Timmy openly cry in spite of that and no one seems to chastise them. Johnny’s tears revive Timmy which is exactly like Disney’s Tangled (Rapunzel) but when he wakes up she slaps him because why did he drink blue poison?? She told him earlier she’d always love him as long as he kept being him, but you know that blue...